The Recording Industry Association of America (RIAA) is a group which represents the recording industry The music industry sells compositions, recordings and performances of music. Among the many individuals and organizations that operate within the industry are the musicians who compose and perform the music; the companies and professionals who create and sell recorded music (e.g., music publishers, producers, studios, engineers, record labels, distributors in the United States The United States of America is a federal constitutional republic comprising fifty states and a federal district. The country is situated mostly in central North America, where its forty-eight contiguous states and Washington, D.C., the capital district, lie between the Pacific and Atlantic Oceans, bordered by Canada to the north and Mexico to the. Its members consist of record labels and distributors, which the RIAA say "create, manufacture and/or distribute approximately 85% of all legitimate sound recordings produced and sold in the United States".[1]

The RIAA was formed in 1952 primarily to administer the RIAA equalization RIAA equalization is a specification for the correct playback of gramophone records, established by the Recording Industry Association of America . The purpose of the equalization is to permit greater playback times, improve sound quality, and to limit the vinyl damages that would otherwise arise from recording analog records without such curve, a technical standard of frequency Frequency is the number of occurrences of a repeating event per unit time. It is also referred to as temporal frequency. The period is the duration of one cycle in a repeating event, so the period is the reciprocal of the frequency response applied to vinyl records A gramophone record, commonly known as phonograph record, vinyl record , or simply record, is an analog sound storage medium consisting of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the centre of the disc during manufacturing and playback. The RIAA has continued to participate in creating and administering technical standards for later systems of music recording Sound recording and reproduction is an electrical or mechanical inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a small microphone diaphragm that and reproduction, including magnetic tape Magnetic tape is a medium for magnetic recording generally consisting of a thin magnetizable coating on a long and narrow strip of plastic. Nearly all recording tape is of this type, whether used for recording audio or video or for computer data storage. It was originally developed in Germany, based on the concept of magnetic wire recording (including cassette The Compact Cassette, often referred to as audio cassette, cassette tape, cassette, or simply tape, is a magnetic tape sound recording format. Although originally designed for dictation, improvements in fidelity led the Compact Cassette to supplant reel-to-reel tape recording in most non-professional applications. Its uses ranged from portable tapes and digital audio tapes Digital Audio Tape is a signal recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a compact audio cassette, using 4 mm magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. As the name suggests, the recording is digital rather than analog. DAT), CDs A Compact Disc is an optical disc used to store digital data. It was originally developed to store sound recordings exclusively, but later it also allowed the preservation of other types of data. Audio CDs have been commercially available since October 1982. In 2009, they remain the standard physical storage medium for audio and software-based digital technologies.

The RIAA participates in the collection, administration and distribution of music licenses The verb license or grant license means to give permission. The noun license refers to that permission as well as to the document memorializing that permission. License may be granted by a party ("licensor") to another party ("licensee") as an element of an agreement between those parties. A shorthand definition of a license is and royalties Royalties are usage-based payments made by one party (the "licensee") to another (the "licensor") for ongoing use of an asset, sometimes an intellectual property (IP) right. Royalties are typically a percentage of gross or net sales derived from use of an asset or a fixed price per unit sold of an item. but there are also other. The association is also responsible for certifying In the United States, the Recording Industry Association of America awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards . Certification is not automatic; for an award to be made, the record label must request certification and pay a fee to have the gold and platinum albums and singles Music recording sales certification is a system of certifying that a music recording has shipped a certain number of copies in the USA.

The RIAA lists its goals as:[1]

  1. to protect intellectual property rights Intellectual property is a number of distinct types of legal monopolies over creations of the mind, both artistic and commercial, and the corresponding fields of law. Under intellectual property law, owners are granted certain exclusive rights to a variety of intangible assets, such as musical, literary, and artistic works; discoveries and worldwide and the First Amendment The First Amendment to the United States Constitution is part of the Bill of Rights. The amendment prohibits the Congress from making laws "respecting an establishment of religion", prohibiting the free exercise of religion, infringing on the freedom of speech and infringing on the freedom of the press. In the 20th century, the Supreme rights of artists;
  2. to perform research about the music industry;
  3. to monitor and review relevant laws, regulations and policies.

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We know you hate the RIAA Everyone hates the RIAA except of course for the RIAA Somehow it s about the only thing I can think of less popular than the Prez that still gets to continue

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